Since the beginning of this year, Channel 4 have started airing programmes selected by a film buff called Walter (click the link to find out more about him). These programmes are all foreign dramas, ranging from a supposedly innocent woman being Locked Up in a private prison in Spain; a group of Outlaws; and a group of people forming a Resistance in Nazi Germany.
So far, I have watched three of the many dramas Walter has selected for Channel 4, and since they have all proved better than much of what is on British and American television, I have decided I’m going to try and watch every series he presents. Therefore, over the course of the next few months/year/however long it takes me to get over my procrastination, I’ll be writing short posts on each show I’m watching — most likely after I have finished the series.
A bit of background: I have always loved foreign cinema, be it Spanish fairytales like Pan’s Labyrinth or Italian Neo-Realists like Bicycle Thieves, but I’ve never really watched or had an interest for foreign dramas. My first introduction to the world was probably through the Nordic-Noir adaptation of The Missing by the BBC, until one night I saw a trailer for Walter Presents and was introduced to a new world of television. The first introduction to this world was through Deutschland ’83, which has one of my favourite opening titles sequence ever, and I would say this is the best way to ‘get into’ the free foreign dramas Walter has picked on All 4, mainly due to the quality of the show.
The German thriller set in 1983 presents a divided Germany through the political and social iconography of the Berlin Wall. Audiences see this divided Germany through the eyes of Jonas Nay’s character Martin, a young officer who wants to serve his country. As the show progresses, we see that it is not simply Germany that is divided between the East and the West, but the characters too. Nay is divided between doing what he believes is right versus what others believe is right; his girlfriend back at the East is divided between two sets of important secrets; his mother by her health and honesty; along with Nay’s roommate, Alex Edel (played by Ludwig Trepte) divided between what his father wants him to be against who he really is.
In fact, there is not one moment in the show where the Berlin wall is shown on camera as a major plot point or a character in itself (considering the effects the wall had, it certainly would have been very easily to make the Berlin wall a character within the film, much like Gothic directors use houses as characters), apart from some brief library-archived shots on television screens. Instead, Deutschland‘s directors have to create the split through dress codes, iconography and mise-en-scene, and they certainly execute it well:
Note how Annett Schneider (Sonja Gerhardt) and Martin’s mother (Carina N. Wiese) are often shown outside in nature, and usually wearing free flowing, comfortable clothes. To immediately juxtapose this we have both Martin’s rigid uniform as well as his aunt’s neat, blocky dress code, which later on corresponds to her surroundings in the West. From looking at the smaller aspects of Deutschland ’83 – by looking beyond its impressive narrative and characters – you will be able to find micro-elements like the characters’ dress codes corresponding to certain surroundings, and realise how much detail the creators of this programme have put in.